Motets share pre-existing musical material

Displaying 1 - 2 of 2 related items.

Cycle details

Reference source: 
I-Mfd 3, ff. 125v-135r
Cycle rubric: 
"Galeazescha" (I-Mfd 3)
Identified as a cycle based on: 
presence of a cycle rubric and of "loco" rubrics; consensus in the "motetti missales" literature
Number of voices: 
5
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Devotional / liturgical association: 
BVM
Modern editions: 
AMMM 13, 75-112; CMM 15.2; MCE 3
Discography: 

Compère: Missa Galeazescha: Music for the Duke of Milan. Odhecaton, Paolo Da Col, Arcana-Outhere, 2017.

Further notes: 

See also the cognate shorter cycle C14a.

GASSER 2001, 304-305, considers the cycle to consist of seven motets, instead of eight: see the notes to M075 and M076.

The version of M074 in I-Mfd 3 is longer than the one in I-Mfd 1.

Content (motets): 
M071 M072 M073 M074 M075 M076 M077 M078

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

[Compère, Loyset]

Cycle details

Reference source: 
I-Mfd [4], ff. 60v-65r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 498, 503-505; GASSER 2001, 332
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Devotional / liturgical association: 
Holy Spirit
Easter/Pentecost ?
Modern editions: 
-
Content (motets): 
M096 M097 M098 M099 M100

C28 Sancti spiritus adsit

Anonymous