Partbooks; Tenor and Altus were lost around 1945. Handwritten addition to Symphoniæ Iucundae atque Adeo Breves Quatuor Vocum, Ab Optimis Quibusque Musicis Compositæ (Wittenberg: G. Rhau, 1538).
Schmidt, Thomas, David Skinner and Katja Airaksinen-Monier, eds. The Anne Boleyn Music Book (Royal College of Music MS 1070) : facsimile with introduction. Oxford : DIAMM Publications, 2017.
The manuscript, severely damaged in a fire in 1906, is currently preserved in a set of boxes (it. cassette) at the Archive of the Veneranda Fabbrica del Duomo and unaccessible to the public. The manuscript is variously known in the literature by its olim shelfmark ‘2266’, as ‘MilD 4’ (Census Catalogue), ‘il quarto codice di Gaffurio’, or, erroneously, as ‘Librone 4’ (that shelfmark refers to a different item altogether). We chose to use the abbreviation ‘I-Mfd [4]’ in the database in order to highlight its belonging to the Libroni set and make it more easily recognizable by users familiar with the Census abbreviation or the other definitions already mentioned.
Dean, Jeffrey J., ed. Vatican city, Biblioteca Apostolica Vaticana, Cappella Sistina MS 46. Renaissance Music in Facsimile 21. New York: Garland, 1986.
Selectae Harmoniae Quatuor Vocum De Passione Domini. Wittenberg: G. Rhau, 1538.
Source type:
Print
Description:
Partbooks. See the record the in the OPAC of the Regional Katalog Rostock and in RISM. Modern edition: Reich, Wolfgang, ed.Selectae harmoniae de Passione Domini. Georg Rhau - Musikdrucke aus den Jahren 1538-1545, 10. Kassel: Bärenreiter, 1990.
Facsimile:
Selectae harmoniae quatuor vocum de passione Domini. Cologne: Becker, 1999.
