The passage "O quam suavis est, domine, spiritus tuus" possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.
The passage "Te summa dei trinitas ... regens per saecula" possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.
Although ANNALI 1885 list this motet after the other three motets of cycle C07 among Gaffurius' works, it is excluded from AMMM 05 and it is often considered anonymous in the literature.
GASSER 2001, 384, was the first to include this motet in cycle C07.
This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.
Number of voices:
4
Discography:
Recordings on YouTube.
Length:
34
Signature:
b
Clefs:
c1c3c3c4
Final:
G
Music incipit:
gbagafe.
dgfdffg.
bddbabc.
ggdgfdc.
Modern editions:
MM 1, 230-231
Further notes:
Elevation motet.
The previous motet in I-Mfd 1, Vox iocunda cum favore, is attributed to Gaffurio in ANNALI 1885, 169, and has "custodes" pointing to the present motet.
This motet possibly quotes pre-existing material (see GASSER 2001, 400), but it can not be linked to any Cantus prius factus with a corresponding text.
Number of voices:
4
Length:
82
Signature:
b
Clefs:
c1c3c4f4
Final:
G
Music incipit:
..ggagba
gfefdcde
gagbagfg
gdg.gdga
Modern editions:
GASSER 2001, 546-552; MM 1, 8-13
Further notes:
Attributed to Gaffurius by GASSER 2001, 296, on account of the strong textual and musical connections to M024 Promissa mundo gaudia, which is attributed to Gaffurius in I-Mfd 2.
This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.
Number of voices:
4
Discography:
Compère: Missa Galeazescha: Music for the Duke of Milan. Odhecaton, Paolo Da Col, Arcana-Outhere, 2017.
Length:
77
Signature:
-
Clefs:
c1c3c4f4
Final:
A
Music incipit:
agcbag..
eecgeebc
abadcb.g
aefgaeee
Modern editions:
CMM 106.4; AMMM 11,4-7; DRAKE 1972
Further notes:
Additional concordances in mss. that do not transmit motet cycles: I-Pc MS A.17, ff. 156v-157r; I-VEcap MS DCCLVIII, No. 9, ff. 19v-20r; ZA-Csa 3.b.12 (“Codex Grey”), No. 67, ff. 107v-108r.
Concordances in mss. that do not transmit motet cycles: B-Br MS 228, ff. 47v-48r; CH-SGs MS 463 (“Tschudi Liederbuch”), No. 102; E-Bbc M 454 (“Cancionero musical de Barcelona”), ff. 130v-131r; I-Fn MS Banco Rari 229, ff. 161v-162r; I-Fn MS Magl. XIX.178, ff. 72v-73r; PL-Wu 5892 (olim 2016), ff. 10v-11r; US-Wc M2.1.M6 Case (“Wolffheim Fragment”), ff. 86v-87v.
"Begirlich in dem Hertzen min mit rechter lieb in stetigkeit" (DIERGARTEN 2017, 79-83)
Number of voices:
4
Length:
55
Signature:
b
Clefs:
c1c3c4f4
Final:
G / G
Music incipit:
.....gdd
gddgffgb
......gd
.gddgffg
Modern editions:
AMMM 11, 28-31; CMM 106.3; MCE 5.5
Further notes:
Elevation motet (2a pars).
The versions in I-Mfd 1 and I-Mfd 2 correspond, but for the text incipit (I-Mfd 2 skips the first line of the Marian antiphon and repeats “Ave domina angelorum” instead).
Additional concordance in a ms. that does not transmit motet cycles: B-Br MS IV.922 (“Occo Codex”), f. 4r (only the section O salutaris hostia). In B-Br MS IV.922 there are only four fermatas in C and T and three fermatas in S and B (http://depot.lias.be/delivery/DeliveryManagerServlet?dps_pid=IE7950914). According to DIERGARTEN 2017, 82-83, "it suggests that the presence or absence of fermatas in note-against-note settings is a question of notational preference, unstable in the transmission process, and not a question of style". At m. 55 (CMM 106.3, p. 11) the Contratenor is different in the three sources (I-Mfd 1, I-Mfd 2 and B-Br MS IV.922). See also CMME: http://www.cmme.org/database/pieces/110 (edition and commentary of the piece).
The passage "Ave corpus domini ... mundo dixit vale" possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.
Number of voices:
4
Length:
84
Signature:
b
Clefs:
g2c2c3c4
Final:
G / D
Music incipit:
...gabce
.defgfdc
..gabcde
defgabgc
Modern editions:
AMMM 11, 58-63; CMM 106.3; MCE 6.5
Further notes:
Elevation motet (2a pars).
“Verte folium” (I-Mfd 1) or “verte folium” and “custodes” (I-Mfd 2) to next motet (O Maria clausus hortus); consequently GASSER 2001, 285-286 considers them as one long motet consisting of three partes.
