C12a Ave mundi domina

Cycle criteria:

Standardised composer:

Weerbeke, Gaspar van

Attribution notes:

"Gaspar" (I-Mfd 1, index)

Cycle rubric:

listed under "Motetti missales consequentes" (I-Mfd 1, index)

Identified as a cycle based on:

index of I-Mfd 1 (see Cycle rubric); consensus in the "motetti missales" literature

Reference source:

I-Mfd 1, ff. 126v-134r

Other sources:

(for partial concordances, see the records of the individual motets)

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Devotional / liturgical association:

BVM

Description:

The cycle belongs to the “core” group of motetti missales. It consists of eight motets (the fifth subdivided into two partes). The texts are compilations from different sources, mostly Marian hymns and (rhymed) antiphons.

Modern editions:

AMMM 11, 13-43; CMM 106.3; MCE 5

Literature:

CROLL 1954

NOBLITT 1968

MACEY 1996

, 182-187

GASSER 2001

, 268-284

DIERGARTEN 2017

FILIPPI 2017

BOKULICH 2019

FILIPPI 2019A

FILIPPI 2019B

PAVANELLO 2019

ROSSI 2019B

SCHMIDT 2019

Discography:

Further notes:

See also information on this cycle as part of the Gaspar van Weerbeke Project.

Motets in this cycle

Displaying 1 - 8 of 8

I-Mfd 1
Source	Motet incipit	Attribution	Rubric	Cycle / Text
I-Mfd 1 126v-127r	Ave mundi domina ID: M031	Gaspar (index) Weerbeke, Gaspar van	-	C12a Ave mundi domina T031 Ave mundi domina
I-Mfd 1 127v-128r	Ave mater gloriosa ID: M032	Gaspar (index; as part of C12a) Weerbeke, Gaspar van	-	C12a Ave mundi domina T032 Ave mater gloriosa
I-Mfd 1 128v-129r	Salve virgo virginum ID: M033	Gaspar (index; as part of C12a) Weerbeke, Gaspar van	-	C12a Ave mundi domina T033 Salve virgo virginum
I-Mfd 1 129v-130r	Anima mea liquefacta est ID: M034	Gaspar (index; as part of C12a) Weerbeke, Gaspar van	-	C12a Ave mundi domina T034 Anima mea liquefacta est
I-Mfd 1 130v-131r	Ave regina caelorum ave domina angelorum : O salutaris hostia ID: M035	Gaspar (index; as part of C12a) Weerbeke, Gaspar van	-	C12a Ave mundi domina T035 Ave regina caelorum ave domina angelorum
I-Mfd 1 131v-132r	Quem terra pontus aethera ID: M036	Gaspar (index; as part of C12a) Weerbeke, Gaspar van	-	C12a Ave mundi domina T036 Quem terra pontus aethera
I-Mfd 1 132v-133r	O virginum praeclara ID: M037	Gaspar (index; as part of C12a) Weerbeke, Gaspar van	-	C12a Ave mundi domina T037 O virginum praeclara
I-Mfd 1 133v-134r	Fit porta Christi pervia ID: M038	Gaspar (index; as part of C12a) Weerbeke, Gaspar van	-	C12a Ave mundi domina T038 Fit porta Christi pervia

Component motets preview

Displaying 1 - 8 of 8

Motet details

In cycle(s):

C12a Ave mundi domina

Reference source:

I-Mfd 1, ff. 126v-127r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ggggfffg

gbcdga.a

ggbcdddc

gecgeddf

Modern editions:

AMMM 11, 13-17; CMM 106.3; MCE 5.1

Further notes:

See also the Gaspar van Weerbeke Project.

Text reference:

T031 Ave mundi domina

M031 Ave mundi domina

Weerbeke, Gaspar van

Motet details

In cycle(s):

C12a Ave mundi domina

Reference source:

I-Mfd 1, ff. 127v-128r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

.ggfgbag

defdddbg

ggfgbaga

gedggdef

Modern editions:

AMMM 11, 17-19; CMM 106.3; MCE 5.2

Further notes:

See also the Gaspar van Weerbeke Project.

Text reference:

T032 Ave mater gloriosa

M032 Ave mater gloriosa

Weerbeke, Gaspar van

Motet details

In cycle(s):

C12a Ave mundi domina

Reference source:

I-Mfd 1, ff. 128v-129r

Mensuration:





Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ggabbcdc

.ggabbcd

..ggabbc

...ggabc

Modern editions:

AMMM 11, 20-23; CMM 106.3; MCE 5.3

Further notes:

See also the Gaspar van Weerbeke Project.

Text reference:

T033 Salve virgo virginum

M033 Salve virgo virginum

Weerbeke, Gaspar van

Motet details

In cycle(s):

C12a Ave mundi domina

Reference source:

I-Mfd 1, ff. 129v-130r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

..gfgbag

.gfgabcb

...gfgbb

ggabcbag

Modern editions:

AMMM 11, 24-27; CMM 106.3; MCE 5.4

Further notes:

Concordances in mss. that do not transmit motet cycles: B-Br MS 228, ff. 47v-48r; CH-SGs MS 463 (“Tschudi Liederbuch”), No. 102; E-Bbc M 454 (“Cancionero musical de Barcelona”), ff. 130v-131r; I-Fn MS Banco Rari 229, ff. 161v-162r; I-Fn MS Magl. XIX.178, ff. 72v-73r; PL-Wu 5892 (olim 2016), ff. 10v-11r; US-Wc M2.1.M6 Case (“Wolffheim Fragment”), ff. 86v-87v.

See also the Gaspar van Weerbeke Project.

Text reference:

T034 Anima mea liquefacta est

M034 Anima mea liquefacta est

Weerbeke, Gaspar van

Motet details

In cycle(s):

C12a Ave mundi domina

C12b ‹Ave regina caelorum› ave domina angelorum

Reference source:

I-Mfd 1, ff. 130v-131r

Mensuration:



Pre-existing melodies (Cantus prius facti):

The secular melody Begirlich in dem hertzen min is quoted in the T (passage "O salutaris hostia ... ostium"):

1--h--ij--h--g--l--k--j--h--h--j--h--g--k--j--h--g--4

"Begirlich in dem Hertzen min mit rechter lieb in stetigkeit" (DIERGARTEN 2017, 79-83)

Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

G / G

Music incipit:

.....gdd

gddgffgb

......gd

.gddgffg

Modern editions:

AMMM 11, 28-31; CMM 106.3; MCE 5.5

Further notes:

Elevation motet (2a pars).

The versions in I-Mfd 1 and I-Mfd 2 correspond, but for the text incipit (I-Mfd 2 skips the first line of the Marian antiphon and repeats “Ave domina angelorum” instead).

Additional concordance in a ms. that does not transmit motet cycles: B-Br MS IV.922 (“Occo Codex”), f. 4r (only the section O salutaris hostia). In B-Br MS IV.922 there are only four fermatas in C and T and three fermatas in S and B (http://depot.lias.be/delivery/DeliveryManagerServlet?dps_pid=IE7950914). According to DIERGARTEN 2017, 82-83, "it suggests that the presence or absence of fermatas in note-against-note settings is a question of notational preference, unstable in the transmission process, and not a question of style". At m. 55 (CMM 106.3, p. 11) the Contratenor is different in the three sources (I-Mfd 1, I-Mfd 2 and B-Br MS IV.922). See also CMME: http://www.cmme.org/database/pieces/110 (edition and commentary of the piece).

See also the Gaspar van Weerbeke Project.

Text reference:

T035 Ave regina caelorum ave domina angelorum