Bibliography

Found 99 results
B
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Blackburn, Bonnie J., ed. Motets on non-biblical texts: De domino Jesu Christo 2. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 2003.
Blackburn, Bonnie J. "The Sign of Petrucci’s Editor." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 415-429. Venice: Fondazione Levi, 2005.
Blackburn, Bonnie J. "For Whom Do the Singers Sing?" Early music 25, no. 4 (1997): 593-610.
Blackburn, Bonnie J. "The dispute about harmony c. 1500 and the creation of a new style." In Théorie et analyse musicales, 1450-1650: Actes du colloque international, Louvain-La-Neuve, 23-25 septembre 1999 = Music theory and analysis, 1450-1650 : proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999, edited by Bonnie J. Blackburn and Anne-Emmanuelle Ceulemans, 1-37. Louvain-la-Neuve: Départment d'Histoire de l'Art et d'Archéologie; Collège Érasme, 2001.
Bloxam, M.Jennifer. "'La Contenance Italienne': The Motets on 'Beata es Maria' by Compère, Obrecht and Brumel." Early Music History 11 (1992): 39-89.
Bohatta, Hanns. Bibliographie der livres d'heures (horae B.M.V.) officia, hortuli animae, coronae B.M.V., rosaria und cursus B.M.V. des XV. und XVI. Jahrhunderts. Vienna: Gilhofer & Ranschburg, 1924.
Bokulich, Clare. "Meter and the ‘Motetti Missales’." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
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Brown, Howard Mayer. "The Mirror of Man’s Salvation: Music in Devotional Life about 1500." Renaissance Quarterly 43, no. 4 (1990): 744-773.
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D
de Goede, N. The Utrecht prosarium: Liber sequentiarum ecclesiae capitularis Sanctae Mariae Ultraiectensis saeculi XIII, Codex Ultraiectensis, Universitatis Bibliotheca 417. Monumenta Musica Neerlandica 6. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis, 1965.
Diergarten, Felix. ""Aut propter devotionem, aut propter sonorositatem": Compositional Design of Late Fifteenth-Century Elevation Motets in Perspective." Journal of the Alamire Foundation 9, no. 1 (2017): 61-86.
Diergarten, Felix. "'Gaude flore virginali' – Message from the "Black Hole"?" In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
Drake, Warren. "Motetti B and Its Relation to the Lauda Repertory Circa 1500." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 441-454. Venice: Fondazione Levi, 2005.
Drake, Warren. "A New Source for the Text of Josquin's Passion Motet Cycle 'O Domine Jesu Christe'." Context: Journal of Music Research 13 (1997): 35-46.
Drake, George Warren Jam. "The First Printed Books of Motets: Petrucci's Motetti a Numero Trentatre A (Venice, 1502) and Motetti de Passione, de Cruce, de Sacramento, de Beata Virgine et Huiusmodi B." Ph.D. diss., University of Illinois, 1972.
Drake, Warren. Ottaviano Petrucci: Motetti de Passione, de Cruce, de Sacramento, de Beata Virgine et huiusmodi B: Venice, 1503. Chicago; London: The University of Chicago Press, 2002.
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E
Eitner, Robert. Biographisch-Bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhunderts. Leipzig: Breitkopf & Haertel, 1900-1904.
Elders, Willem. Motets on non-biblical texts 5 : De beata Maria virgine 3 : critical commentary. Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis ed. Utrecht, 2009.
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Evans, Mark. The Sforza Hours. New York: New Amsterdam, 1992.
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Filippi, Daniele V. "Where Devotion and Liturgy Meet: Re-assessing the Milanese Roots of the Motetti missales." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
Filippi, Daniele V. "Text, Form, and Style in Franchino Gaffurio’s Motets." In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 383-410. Turnhout: Brepols, 2012.
Filippi, Daniele V. ""Audire missam non est verba missae intelligere...": The Low Mass and the Motetti missales in Sforza Milan." Journal of the Alamire Foundation 9, no. 1 (2017): 11-32.
Finscher, Ludwig. Loyset Compère (c.1450-1518): Life and Works. Musicological Studies and Documents 12. Rome: American Institute of Musicology, 1964.
Finscher, Ludwig. "Die Messen und Motetten Loyset Compères." Ph.D. diss., Georg-August Universität Göttingen, 1955.
Franz, Adolph. Die Messe im Deutschen Mittelalter. Beiträge zur Geschichte der Liturgie und des religiösen Volkslebens. Freiburg im Breisgau: Herdersche Verlagshandlung, 1902.
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Fritsch-Staar, Susanne. "Uterus virgineus thronus est eburneus: Zur Ästhetisierung, Dämonisierung und Metaphorisierung des Uterus in mhd. Lyrik." In Manlîchiu wîp, wîplîch man: Zur Konstruktion der Kategorien “Körper” und “Geschlecht, edited by Ingrid Bennewitz and Helmut Tervooren, 182-203. Berlin: E. Schmidt, 1999.
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Gaffori, Franchino. Mottetti. Edited by Luciano Migliavacca. Archivium Musices Metropolitanum Mediolanense 5. Milan: Veneranda Fabbrica del Duomo di Milano, 1959.
Gasser, Nolan Ira. "The Marian Motet Cycles of the Gaffurius Codices: A Musical and Liturgico-Devotional Study." Ph.D. diss., Stanford University, 2001.
Gasser, Nolan. "Beata et Venerabilis Virgo: Music and Devotion in Renaissance Milan." In Crossing Boundaries: Issues of Cultural and Individual Identities in the Middle Ages and the Renaissance, edited by Sally McKee, 203-238. Turnhout: Brepols, 1999.

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